top of page
flexhoulipasyn

Bob Marley-B Is For Bob Full Album Zip: Find Out Which Songs Ziggy Marley Left Alone and Why



Exodus is a 1977 album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.


In 1974, two of the original Wailers left the band. The band continued releasing material as "Bob Marley & The Wailers," as had sometimes been the case in the Lee Perry era (as with the Soul Rebels and Soul Revolution LPs). His current backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Al Anderson and Junior Marvin on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The I Threes, consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which became the 48th best-selling album on the Billboard Soul Charts in 1978.[3]




Bob Marley-B Is For Bob Full Album Zip



In December 1976, Jamaica was going through elections, generating substantial political discourse. In his campaign, Prime Minister Michael Manley used the campaign slogan "We know where we're going." In response Marley wrote "Exodus", which is the title track of the album. The song became a No. 1 hit in Jamaica as well as the United Kingdom and Germany.[5]


Cam described the album's musical style as being "different", noting that Marley's style of reggae was not what was prominent in Jamaica during the time, and that the album's music sounds unlike any reggae that came before its release.[7] Emeritus continued to describe the album's sound as being rooted in the blues and soul, with elements of British Rock with a reggae "façade thrown on top" however Emeritus praised this saying "if Exodus was straight reggae, it probably wouldn't be as good as it is."[7]


Exodus contains elements of pulsating bass beats, pianos and funk along with a "liquid-y bass", drumming and guitars with the inclusion of trumpets in the title track.[7] Unlike previous albums Exodus lyrical content moves away from cryptic story-telling and instead is clearer and more straight forward, the lyrics touch upon themes of change, religious politics and sex. Vocally, Marley provides a minimalist approach, trying not to reach his falsettos.[7]


The album's track listing is split over two halves;[6] the first half features songs of religious politics and opens with "Natural Mystic", which is a slow tempo "fade up" song, followed by "So Much Things to Say", which was described by the BBC as being "exuberant" and features a reggae scat.[1] The following two songs "Guiltiness" and "The Heathen" explore darker territory, before ending on the album's title track.[1]


In 1999, Time magazine named Exodus the best album of the 20th century.[12] In 2001, the TV network VH1 named it the 26th greatest album of all time. In 2003, the album was ranked number 169 on Rolling Stone magazine's list of the 500 greatest albums of all time,[13] maintaining the rating in a 2012 revised list,[14] re-ranking at number 71 in a 2020 revised list.[15]


Legend is a compilation album by Bob Marley and the Wailers. It was released in May 1984 by Island Records. It is a greatest hits collection of singles in its original vinyl format and is the best-selling reggae album of all-time, with over 12 million sold in the US, over 3.3 million in the UK (where it is the seventeenth best-selling album[2]) and an estimated 25 million copies sold globally.[3][4][5] In 2003, the album was ranked number 46 in Rolling Stone magazine's list of the "500 Greatest Albums of All Time", maintaining the ranking in a 2012 revised list,[6] but dropping to number 48 in the 2020 revised list.[7]


The album contains all ten of Bob Marley's Top 40 hit singles in the UK up to the time,[11] plus three songs from the original Wailers with Peter Tosh and Bunny Livingston in "Stir It Up," "I Shot the Sheriff," and "Get Up, Stand Up," along with the closing song from the album Uprising, "Redemption Song." Of the original tracks, only four date from prior to the Exodus album.


The cassette tape release of the album featured two extra songs, "Punky Reggae Party," the B-side to the "Jamming" single, and "Easy Skanking" from the Kaya album. A second generation compact disc remastered by Barry Diament appeared in 1990 on the Tuff Gong label. Although the disc includes the same 14 songs, the tracks are in their original album lengths rather than the edited versions for single release.[citation needed]


On 12 February 2002, the expanded 14-track edition with songs at album lengths were remastered for compact disc with a bonus disc consisting of 1984-vintage remixes for extended dance club singles and dub versions. In 2004, the Legend double-disc deluxe edition was reissued with the music DVD of the same name in the sound + vision deluxe edition. In 2010, Legend was made available as downloadable content for Rock Band. However, it was released without "Get Up, Stand Up", which was later included on Rock Band 3. In June 2012, a high fidelity audiophile version of the album was released on HDtracks in 96 kHz/24bit and 192 kHz/24bit resolutions. [12]


Legend has peaked at number 5 on the Billboard 200, making it Marley's highest-charting album in the US. It also holds the distinction of being the second longest-charting album in the history of Billboard magazine. Combining its chart life on the Billboard 200 and the Billboard Catalog Albums charts, Legend has had a chart run of 2165 nonconsecutive weeks,[17] surpassed only by Pink Floyd's The Dark Side of the Moon at 2166 nonconsecutive weeks.[18] As of the Billboard issue dated 11 February 2023, the album has charted on the Billboard 200 for 768 nonconsecutive weeks.[8] As of December 2017, Legend has sold 12.3 million copies in the US since 1991 when SoundScan started tracking album sales, making it the ninth best-selling album of the Nielsen SoundScan era. The RIAA has certified Legend for selling 15 million copies, a total that includes purchases before 1991.[19][20]


When first released in the US in 1984, pressings contained remixes of "No Woman, No Cry," "Buffalo Soldier," "Waiting In Vain," "Exodus" and "Jammin'," done in 1984 by Eric Thorngren. (International pressings substituted the remixes for either album versions or 7" edits.) Two versions of the CD were released in Europe in 1984; one used the same mastering as the US pressing, the other (mastered by Barry Diament) used original full length versions for all the tracks. Pressings from 1986 on used the international version of the release until 2002, when a two-disc deluxe version released by Universal replaced all tracks with their respective album versions (except for "No Woman, No Cry," which is the full length version from the "Live!" album) and included the two extra tracks from the cassette release as bonus tracks. That version was released individually as part of "The Definitive Remasters" series. When track No. 13 [Exodus, released on the album "Exodus" by Bob Marley & The Wailers in 1977 by Tuff Gong/Island] begins, the noise at the ending of Bob Marley's "Satisfy My Soul" [released on the album "Kaya" by Bob Marley & The Wailers in 1978 by Tuff Gong/Island] plays at the start.


An inspirational anthem with an organic feel, this standalone single was originally released only in Jamaica. Later it was cleaned up for the Confrontation album and the original backing vocals by The Melodians were swapped out for the I-Threes. As wonderful as the three women were, their work here takes some of the guts out of the song. 2ff7e9595c


1 view0 comments

Recent Posts

See All

Comments


bottom of page